Thursday, October 17, 2024

The Backwoods of Everywhere by R. E. Burrillo

Source of book: I own this.

 

Last summer’s epic camping trip took us to some places in Colorado that we had briefly visited in 2015, but wanted to return to and explore more thoroughly. In that prior trip, we had primarily focused on Mesa Verde National Park, but Black Canyon of the Gunnison and Great Sand Dunes ended up with only a short afternoon. 

 

Combine this with my brother-in-law’s desire to spend some time in the San Juan Range hiking, and we had the makings of a trip. 

 

One mistake I made in my planning was to miss the opening of the Mesa Verde tour reservations by a day, and they were already sold out for the holiday weekend we were there. What this meant was that we needed to find some alternative activities for our full day there. We could see the viewpoints in the evening after the crowds left. 

 

I decided to explore the string of ruins in the valley, both in Hovenweep National Monument, and Canyon of the Ancients. This turned out to be a great decision - little in the way of crowds, a gorgeous drive between sites. 

 

It was at the excellent visitor’s center for Canyon of the Ancients the day before our exploration that I ran across this book. Since I enjoyed Burrillo’s first book, Behind the Bears Ears, I decided to buy the book. The strange turns of fate that result in the events in our lives, I suppose. 


 

First, a bit about the title and the nature of this book. The title comes from a line in the first book, where Burrillo describes the United States as “the backwoods of everywhere” - the place where nearly everyone comes from somewhere else, and where diverse people intermingle. A perpetual borderland, so to speak. I love this idea - it is more accurate than the “melting pot,” which tends to presume that we all turn out to be the same amalgam, rather than a rich dish with a plethora of ingredients. Like Burrillo, I love this part of the American experience - and unlike today’s Republican Party, I very much want all these diverse people as my neighbors. 

 

It isn’t until the Afterword that Burillo explains how the book came to be, which is too bad. I think if he had started with the explanation, the book would have been a bit clearer. He explains that Modest Mouse alternated albums - one was the main album, the next was the collection of B sides that didn’t make it into the album. 

 

This book is the B sides of the first book - the stuff he wrote that didn’t make it into the book. And, like those albums, there is a lot of interesting material that is well worth reading, but didn’t tie in directly with the purpose of the book about the Bears Ears. 

 

It is a collection of essays and stories, and very much an insight into Burrillo’s life and philosophy. I thoroughly enjoyed it and am glad I added it to my collection. You do not need to read the first book to understand this one, but I definitely recommend reading both. 


 

I took a lot of notes - the book isn’t that long, but it is dense with great lines and ideas. Like the first book, it is snarky as hell, and Burrillo doesn’t bother to pretend to be fair and balanced. He is unashamed to be a conservationist (he IS an archeologist after all), a progressive, anti-racist, anti-fascist, and anti-bigotry. He also seems like he would be a bit intimidating to hike with, but a lot of fun to sit down over a beer with. He is a great storyteller, and that is the best part of both books. 

 

I’ll also note that I added a couple of authors to my reading list as a result of this book. 

 

The first essay is entitled “Locals Only,” and it is a rambling look at what it means to be local. And indigenous. Burrillo illuminates these ideas with a bracing clarity of thought. And snark. The opening is excellent, and drew me into the book right from the start. 

 

Few of us live lightly on this world. We interact with our neighbors - both human and nonhuman - to varying degrees of interest or intensity. We have friends, colleagues, and foes within calling and occasionally striking distance. We shop for goods and services locally, or order them only using the local cell towers and a prayer that they won’t be rerouted to Antarctica. We mow or rake our lawns, sweep steps or sidewalks, chase sunbeams around our apartments with desperate houseplants, catch up on local news when nothing better is on, deal with local traffic jams and other local customs, complain about local politics and local weather, throw trash and recycling in local bins, drink at local bars, eat at local restaurants, and in general articulate with the places we live to an extent I’m not sure most people fully appreciate. 

The lessons these places have to teach us can be as varied as the places themselves. Sometimes we fit where we are like the teeth of a key in a long-sought lock, high points and low points interdigitating like they were made for each other. Other times, it’s precisely the opposite. 

 

I have been thinking about this quite a bit since the beginning of the Trump Era. For a long time, I fit pretty well here in Bakersfield. It has a good arts and music scene, a good legal community, we had a church family, and so on. I liked (and continue to like) the weather most of the year, and I love the proximity to everything from the beach to the mountains to the desert to the big city. And I very much love the racial diversity and relatively affordable housing. 

 

For those years, I fit in pretty well. But when the Right Wing - and white evangelicals in particular - went full-on fascist, I found that I fit in less with the human denizens of this place than I thought. Plenty of good people here, but GOD there are a lot of really shitty people here too. For my kids, I don’t think any of them really feel they fit here, and I hope they are able to find a place that can be home for them. 

 

For Burrillo, his place of origin - Upstate New York - never felt like home. His years in New Orleans changed him dramatically (one of the great stories in the book), but his true home, where he fit, turned out to be the Southwest. 

 

I love one anecdote from his New Orleans period: the lifelong bachelor who credited fish sauce for his long happy life. (For those who do not know, this Asian sauce is pretty much fish fermented in salt. It is a magic ingredient in cooking, but it is hella strong by itself. This guy did shots of it every morning, which is too hard-core for me.) 

 

Also hilarious is the description of Carnival season.

 

There were probably two hundred people, including my friends and I, gathered around the social core of the event: earthy, heavily pierced and tattooed freaks, one-part hippie and one-part wolverine. It was like someone had dipped a giant ice-cream scoop into the crowd at Burning Man and upended it just east of the French Quarter. 

 

The next essay, “Darkness and Dust” tells about how Burrillo discovered the Southwest, and a few particular stories - a nighttime encounter with a mountain lion, a visit to an archeological site that turned out to have “bad juju” as a Dine friend of his described it. My favorite line is about why he prefers heat to cold. 

 

I don’t hate winter, necessarily. And I’m not the worst snowboarder I know. But the cold. I’m not big on cold. I have a friend who’s a devotee of the Wim Hof method of physio-psychological enlightenment, which involves extended stays in ice baths, and this has always struck me as practicing for hell. Almost anything involving flames would be preferable. 

 

Also in this chapter is a percipient observation about the white male voters for Trump, and a tie-in with Hunter S. Thompson’s book on the Hells Angels. 

 

We can see this same mental process fueling the various cliques, clubs, and cults that fluoresced under the presidency of Donald Trump. That sense of “I don’t like where all this newfangled progress is headed, dagnabbit, kids these days with purple hair, women in the government, boy I tell you this doesn’t look like my country anymore…” Echoes of Zane Grey’s frontier idyll, these - where a man can hop astride his horse, spend the day shooting bison and brown-skinned people, and then come home to unschooled and totally subservient family members. No wonder Trump was so popular, out here. 

 

Burrillo isn’t making this up. I have heard these things - they are not an exaggeration - from the complaints about hair color to the “this doesn’t look like my country with all these brown people in it” crap. Including from my own parents. 

 

He also has some great thoughts on cultural appropriation. Here are some of the best lines. 

 

In its broadest sense, it refers to the adoption or co-opting of cultural components originating in other cultures, although most critics and scholars understand that this process in itself is all but ubiquitous across all of human existence.

Where it becomes problematic is when members of a dominant culture do it with components of a subordinate, disadvantaged, or otherwise put-upon culture - hence the original term including the more accurate word colonialism. When it isn’t a case of bullies mimicking the downtrodden, it’s usually interpreted as satire or plain old emulation. 

 

Burrillo notes that his own ancestors - Celtic and Latin - were colonized by the Romans back in the day. But that in our own time, appropriation doesn’t affect him or his groups. 

 

How my own pre-colonized ancestors lived is a fun research topic in its own right, but I don’t often see it depicted in sports logos or intellectually menacing Halloween costumes. 

Thus, to report that I froth and snarl at the thought of other people appropriating still others’ cultures would be tantamount to appropriating the outrage of the culturally appropriated group. Which strikes me as a tad hypocritical. 

 

This is something I have experienced myself. I live in a place where Latinix people are a plurality - and I grew up in one where they were the majority. A few years ago, the kids and I attended a Dia de los Muertos celebration at the Kern County Museum, sponsored by a local Latinix group. Some of my kids dressed the part - it was really quite fun and cool, and my kids got a lot of positive feedback from people at the event. 

 

It wasn’t until I posted online about it, that I got accusations of “cultural appropriation.” I noted that all of that came from…wait for it…white people. I heard nothing but positives from my Latinix friends. 

 

The difference, I believe, between appropriation and the cross-pollination of cultures that humans have always done, is one of respect. We were not mocking or disrespecting or commercializing the traditions of our neighbors. Rather, we were respectfully learning, and participating alongside them. Rather like the difference between learning to cook Indian food (which I love!) and making racist “jokes” about the White House smelling like curry

 

I think Burrillo is spot-on that for white folk to get too worked up about supposed “cultural appropriation” can veer into hypocrisy. By all means, we should take a look at what we do, but perhaps not get too worked up about what other well-meaning people are doing in good faith. 

 

Perhaps the most snarky and strident essay is “What’s In A Name (Or “Don’t Call Me an Archaeologist”)”. In it, Burrillo looks at the problematic origins of his discipline, and the ongoing effort to decolonize it. This line is stunningly good, and really captures the essence of the issue. 

 

Whiteness isn’t a race - there are no separate human races. But nor is it an ethnicity, a nation, or a culture. It’s an ideology. And I’m always wary of anyone whose identity is indistinguishable from their ideology. 

 

I am “white” because of supremacist culture. Ethnically, I am half German, a quarter Swedish, an eighth English (relative of Charles Darwin), and the rest god knows what (unknown father). My nationality is American. My culture is…well, it’s complicated, but one might say ex-evangelical middle-class southern California culture? But I am “white” because our society sees me as white and accords me certain privileges because of that. 

 

One of the most fascinating bits in this essay is the history of ludicrous racism in archeology. Not just in the Southwest, but around the world, there has been this belief that the incredible architecture and infrastructure that has been discovered couldn’t possibly have been built by the indigenous peoples. So, it had to have been built by someone else. Probably someone “white.” Or space aliens. And this has persisted even after open-minded archaeologists concluded the obvious: that the indigenous peoples DID IN FACT create these things. 

 

Not that everyone was convinced, of course. Nor was the Mississippi region the only hotbed for the notion that impressive examples of American material history were the result of more advanced peoples whom the “savage” Native Americans had driven to extinction. Mormon scripture, having congealed in the first third of the 1800s, included this wild historical fiction as literal gospel. 

 

And this is STILL being claimed by conspiracy theorists. This causes problems for legitimate archaeologists. 

 

Skipping forward for a moment: a foul, noisome version of this contention still hangs around in the form of Erich von Daniken, David Hatcher Childress, and everyone else in the Ancient Aliens crowd. As David Holly Jr. pointed out in a fantastic 2012 piece for American Antiquity, for archaeologists to even engage with these people and their idiocy inadvertently legitimizes them by lending credence to the illusion that there is a debate at all. Yet ignoring them isn’t a great tactic, either, because part of the appeal of conspiracy theories to the simpleminded is that they are ignored or shunned by the Establishment. 

I think we should just call them “racist dipshits” right to their faces and be done with it. That counts as engagement.

 

This is a problem for all of us who believe in truth, in evidence, and in the obvious humanity of brown-skinned humans. Fighting pseudoscience is tough, and there are no great answers. I will note that calling my father a racist dipshit (although not using those exact words) to his face and then in public is one reason that we no longer have a relationship. Nothing I said or did was able to save my parents from spiraling down the conspiracy theory drain hole. 

 

Another passage that I thought was excellent was the one on the human superpower: adaptability. We are entering another period of volatility in climate. One we created, but also one that resembles the rapid ice ages of the period in which we evolved. 

 

The strategy that pays best in those circumstances is to become, in effect, a jack-of-all-environments. One more adapted for adaptability itself than for any particular subset of ecological architecture.

To become, in other words, an obligate puzzle-solver.

They were all erectus, a species that had evolved to specialize in non-specialization, and to learn and learn and learn and learn in order to adapt to almost any environmental circumstance. 

 

This is something today’s right wingers should take to heart. At its core, the reactionary-turned-fascist approach is a dead end. Adaptability is necessary, not ossification into a long-disappeared (and mostly fictional anyway) past. This is a quality I see in my children’s generation that is rare in my parents’ generation. 

 

The next essay is “Landscape Psychology,” and explores the way landscapes and humans affect each other. And why people fit one place and not another. Like why Burrillo and I don’t tolerate a lack of sunshine well. 

 

There is also a strong cultural connection between sunshine and happiness, and the argument usually touted by naysayers against the correlation between weather and mood is that such a correlation is “all in our heads.” That, if true, is what’s known as a social convention, and for social animals like humans those are sort of a big deal. There is an entire category of people who either ignore or do not recognize the existence of social conventions as real things, and they’re commonly called sociopaths. 

 

This is where extreme individualism as a philosophy tends to veer into sociopathy. In reality, the most “libertarian-individualist” sorts among us turn out to be those who benefit most from our society and government. Rather than acknowledge that, they tend to become sociopathic, eager to deny the benefits they have to others. Trump and MAGA are just the most visible. 

 

The next chapter is more of a personal story - about Burrillo’s hikes in the Grand Canyon. There are a few great lines in the middle of this delightful story. 

 

It is said that history is written by the winners, which is a concise way of saying that historical narratives tend to be biased toward the perspectives of those people who came home from the battle to write about it. It’s tough to do that when you’re dead. 

 

He then extrapolates this to less violent pursuits. 

 

I have long suspected that a similar bias runs through the annals of wilderness literature. Most of it is upbeat in tone, encouraging, lyrical, shot through with excitement or tension but almost always ending on a positive note. If there’s any moral lesson to be learned, it’s less often “there’s danger lurking out there” than it is “embrace the suck.” Again, a tough message to pen when you’re dead.

 

I am not a natural risk-taker, so hiking with me is significantly less dangerous. Like Rincewind, I have as my goal “do not die.” 

 

One thing I share with Burrillo is that I am too cheap to do fancy prepackaged food on backpack trips. We both tend to cook from scratch, or at least basic shelf stable stuff off the shelf at the grocery store. I also thought it was amusing that he brings a tiny bottle of ghost pepper sauce and bourbon along with him. That’s my kind of luxury too. (Although I go one notch down from ghost peppers.) 

 

Another passage in this chapter involves cows and wilderness grazing. If you want to get a wilderness advocate riled up, mention grazing. Because the damage humans do to wilderness is miniscule compared to that of the damn cows. (And this cuts across the political spectrum too: my conservative father-in-law loathes wilderness grazing too. It’s only welfare queens and social parasites like the Bundys who prop up the practice.) 

 

Cows rule the West. Not people, or at least not average citizens who aren’t caught up in the agro-cowboy bullshit mythology. Nope - cows. The devastation these things wreak on the environment in the West is almost unfathomable. 

 

It’s time to recognize the damage and end wilderness grazing permanently. 

 

Another episode that was fascinating was Burrillo’s bout with Lyme Disease. Which led to an epiphany about toxic masculinity. 

 

I learned a few other things from that horrific episode, as well. Almost all the people who said things like “whatever this takes, however long it lasts, I will be by your side” were women. And almost all the people who said things like “suck it up and stop whining pussy - everyone has problems” were fellow dudes. 

 

And another one about a particular American social problem:

 

Tricky gender politics aside, the broadest-spectrum lesson from that long and awful episode was simply the extent to which American culture teaches everyone to have little or no regard for the safety and well-being of others. 

 

Covid was a society-wide demonstration of that nasty side of our culture. 

 

This segues into the observation that the world-wide shock of Covid resulted in some unpleasant revelations - something I know first-hand all too well. 

 

As with the Lyme episode, these rude shocks manifested in my personal life as a series of friends revealing their true colors in jarring ways. One fellow, who used to lecture - loudly - at social gatherings about how women are smarter than men, cruelty to animals is the most heinous of crimes, and American wastefulness is destroying our planet, turned out to be an ironclad conspiracy theorist and science-denier. I guess all that progressive soapboxing was nothing more than an attempt (largely successful, if memory serves) to woo grungy and gullible hippies into bed with him.

 

Burrillo doesn’t neatly sort into either liberal or conservative boxes - perhaps no truly thoughtful person does. You keep finding contradictions and blind spots in every viewpoint, although some are clearly more aligned with reality than others. While a personal libertarian (meaning he doesn’t think government belongs in the bedroom, for example), he also sees that “libertarian” is usually just a code word for…something else. 

 

My problem with textbook libertarianism is the same one I have with other grand narratives: the official charter includes all sorts of components that are equal parts self-contradictory and stupid. How, for example, can a person be both fanatically in favor of free-market capitalism and fanatically opposed to open borders? If the principles of fiscal liberty preclude top-down regulation, and there’s a whole bunch of people willing to work very hard for much lower wages than their competitors, how is legally barring them from doing so not antagonistic to those same principles? I have yet to hear anyone provide an answer to this riddle that doesn’t boil down to either stubborn nationalism or just plain racism.

 

EXACTLY.

 

“Libertarianism is really just “I am winning in this particular economic system, and I want to continue to do so. I got mine, sucks to be you.” 

 

Burrillo also ties social unrest to geological events. 

 

Such is the power of sociocultural pressure; it builds over time - piling real or imagined injustice upon real or imagined injustice - until something finally triggers a release. The release itself is often rapid and explosive, and usually quite destructive in the short term. However, from a wider temporal perspective, such events are part of a healthy, functioning natural or political ecosystem. Life as we know it wouldn’t even be possible without them. 

 

This essay is pretty long, and rambles a lot (in a good way), so we also get an examination of the problem of invasive trout in the Colorado River. There is actually a program in place paying people to catch Brown Trout. Similarly, in the high Sierra, there is no limit on Brook Trout - another species that should be diminished or even eliminated in these unnatural habitats. 

 

I also have to mention his observation about the realities of backpacking. 

 

There are various schools of thought on how to properly Tetris a backpack, and pretty much all of it goes right out the window on the last day of the trip. Many long minutes of packing, hoisting, adjusting, unloading, and repacking go into the initial stage, owing to its being conducted in the comfort of one’s own home. When it’s time to depart a beautiful backcountry spot for the long slog back to what currently passes for civilization, however, there’s more often a leaves-in-a-trash-bag theme. 

 

“Quarantine Ecology” is about the lockdown, and it is one of the best things I have read about the experience. Perhaps because I too found loopholes to get outside and hike. 

 

Like me, Burrillo is a cat lover, and his description of his goofus cat, who he says should be classified as Felis doofus, is hilarious. 

 

He also talks about ants. Because, well, we all dealt with ants during the pandemic. 

 

The rigorous hierarchy of ant life is astounding. You can’t beat them for work-life balance, because it’s all work and no life and they seem just fine with that. They can lift up to fifty times their own weight, they “breathe” through holes in their bodies, and they communicate with each other via chemicals. Imagine carrying bottles of liquefied love, hatred, indifference, interest, boredom, repulsion, attraction, anger, surprise, lust, disgust, trust, joy, envy, and fear around with you at all times, and trying to remember which one to spray at whom. 

 

“Salad Days in Scorched Venice” is mostly about the incredible network of canals built in the Phoenix area thousands of years ago by the Hohokam people - thousands of miles worth, all dug by hand, and routed for the perfect slope in a nearly flat valley. It’s incredible engineering - and today’s canals generally follow the same routes. 

 

This leads into the cotton industry in Arizona. Which illustrates a lot about the stupidity of American political discourse. 

 

Leaseholders like those mentioned above shore up these financial shortfalls through federal subsidies…This is a tiresome and all-too-familiar situation in American agri-politics, not unlike the heavily subsidized cows that are, when you get right down to it, being paid by American taxpayers to destroy American public lands. Cotton was grown by ancestral Indigenous peoples in the Sonoran desert, up around Flagstaff, and even in the bottom of the Grand Canyon - but not thousands of acres of the stuff. For that you either need the combination of hot temperatures and steady rainfall they get in the Deep South, or you need Uncle Sam to bail you out on the reg, presumably while raging against the evils of socialism so all the local good old boys know whose side you’re really on. 

 

Burrillo also talks about the inevitability of digging up old native burial sites during development. Fortunately, the trend is toward respectful relocation - something Burrillo worked on as part of his job for a while. But then, there are those people. 

 

The realm of Phoenix-area archaeology certainly contains its own noisome contingent of swine who think it’s “really fun to dig up dead people” and consider the push toward ever more respectful language “a bunch of woke PC bullshit.” I’ve met a few of these characters in the flesh, although I’ve been lucky enough not to work with any - and if you took a stab at their demographic makeup, you’d probably hit a bullseye on the first try. But they are a dwindling minority. A loud, annoying, toxic minority who are often found in positions of dug-in power like the oldest ticks on a suffering dog - but a dwindling one, nonetheless. 

 

The fact that everyone knows exactly what demographic he is talking about says everything. 

 

Another target of his ire is the MAGA assholes who wish to defile one of the most diverse ecosystems in the world with an ugly penis-extender that will not work even as it causes tremendous damage. 

 

And some xenophobic slobs want to construct a big wall straight through the region. All that biodiversity damaged or threatened to keep a few deer, jaguars, and other creatures too cumbersome to squeeze through its slates and too feral to hitch-hike from using the migration routes they’ve used since the Miocene. It won’t deter human migrants, of course - the existing wall segments have proven that already. It’ll just create ecological impacts. Evidently that’s a small price to pay for twitchy people throughout the country to sleep a little easier in what is, after all, stolen land. 

 

“Cattle Ville” is about Burrillo’s heritage. His grandparents lived in Vermont - a place not as known for its cows and cheese as it perhaps should be. He introduces the chapter with a great quote. 

 

Not long ago, my charming friend and colleague Jojo Matson put it this way: “For me, home is a who, not a where. I couldn’t live someplace beautiful if I’m surrounded by awful people, but I can live with great people just about anywhere.” 

 

I very much agree with this. There are places I simply cannot imagine living, despite their beauty, because I can’t even with MAGA racists. 

 

The great revelation of this chapter is what “R. E.” stands for. “Ralph Elmer,” which as you might imagine was a tough name for a kid to have. 

 

As Burrillo eventually explains, however, these names came from ancestors who were pretty badass. Elmer was a World War Two veteran, who lost an arm and injured his remaining hand. He went on to freaking build his own house, and drive a manual transmission delivery truck with only part of a left hand. (If you know you know.) And he was a great person too. 

 

The man’s influence on almost everyone who met him cannot be understated. My own father once said of his former father-in-law, “After all that he went through in the war, you would expect him to be the meanest son of a bitch in the world. But all he ever does is crack jokes and make people smile.”

 

Including his usual tale of his life:

 

He used to joke that he left home an orphan, spent some time in a uniform, and came back a pirate.

 

He was clearly a big positive influence on Burrillo and his siblings. The “Ralph” came from his father, and while he doesn’t have quite the story to tell, his fondness for his father is apparent. 

 

There are also stories about his childhood, his friends, and his influences. I want to mention our shared dislike of certain technologies, but also his view of progress itself. It warms my heart that he cites Umberto Eco’s essay on Ur-Fascism here as well. 

 

I hiss and snarl at sleek modern gadgetry when I’m out pretending to be John Muir in the backcountry, particularly the “convenience” of cameras built into smartphones that track our every movement. Give me paper maps and books I can write on…Give me a good old fashioned fire to cook on…Give me a truck that doesn’t require nanorobots to work on…

 

Yep. I love my paper maps and magnetic compass. 

 

However, I would eventually realize that, while taking a break from modern life and its many beeping horrors is often a good idea, going backward in any other sense is just as often a bad one. Progress is not often a piecemeal affair, and although the side effects can be brutal, the benefits still outweigh them. I’ll deal with TikTok if it means people of color can vote. 

 

The footnote here is also on point.

 

Please note, there is a big difference between regressing to past conditions and learning from them. I cannot believe how often I’ve had to explain that.

 

Burrillo’s thoughts on privilege are also excellent. He grew up working class, but as an academically minded goth, he ended up friends with people above his class. 

 

It was from this group that I learned several important lessons about how society works. First, it is the nature of privilege to make things easier for some people than for others, and when that privilege is anchored to something biological there’s precious little you can do about it. But there are loopholes where social class is concerned. My new friends were upper-middle class, while I was very much not, but they taught me how to dress and act like them in laughably High School Makeover Movie fashion - up to and including giving me expensive clothes they no longer wanted. Only then did I realize that fashion isn’t just about trendiness; it’s also a uniform. Sporting the right one means you’re one of Us.

 

The goth thing had its own roots, of course. 

 

In much the same way that the hippie subculture was a group response to the overly technical and warmongering mainstream culture of the post-WWII era - and the punk subculture was a group response to the flaccid activism that came to characterize most hippie protestations - the goth subculture can be seen as a group response to the topical repression of sex and death in Western culture. The unique combination of Puritan ethics and vestigial Roman militarism constitute a society where sensitivity is a sign of weakness (particularly in men), nobody fears or even talks about death except in terms of avoiding it, and public displays of sexuality (particularly by women) are verboten. Publicly embracing that suite of taboos is therefore a rebellious act, especially attractive to those of us who are prone to anxiety and depression. 

 

This exploration of American taboos regarding the discussion of sex and death carries over into the next chapter, “Yucatan,” about a formational trip the young Burrillo took there as part of a college archaeological course. I’ll get to that, but first, this great line:

 

Pinning the formative developments or phases of my life on transformative wilderness or travel experiences is a useful device for resolving it into some kind of sense. Call it narrative bias - I’m fine with that. The die casting of miasmic, meandering life into the structure and soundness of Story. It involves a bit of shoehorning, shearing of jagged edges, and a dash or ten of plain-old hyperbole, but the result is often a genuinely useful narrative rather than simply a stream of stuff that happened. This is probably how a lot of myths were first invented. 

 

That last line! That is exactly how myths happen. Whether in history or our own lives. 

 

Another great scene is Burrillo’s encounter with souvenir salespeople. 

 

Later in the trip, I met a few guys selling hand-carved Mayan masks who bore the obvious marks of woodcarvers, like innumerable nicks fro whittling knives, and we swapped some friendly conversation about the trade. Everyone around them was selling wooden masks of the exact same style, but they bore the obvious marks of salesmen, such as soft hands, distinctive attire, and the fake “American” smile I find so off-putting. Here was a handy insight into my own culture: the US is a land of salespeople. 

 

This is literally what I hate most about American culture. The salesmanship. I hate selling myself, which is why I don’t make the money more aggressive attorneys do. I hate it when people try to sell me stuff. I hate MLM scams. And perhaps more than anything, I loathe the selling that is inherent in “evangelism.” If everyone is selling something, real relationships are impossible. Thank god for the true friends I have found, who have nothing to sell. 

 

As Burrillo explored the Mayan ruins, he noticed that the Indigenous (and indeed even modern Mexican approaches to sex and death were a lot more healthy than the American one. And, like me, he was puzzled. There is nothing inherent in Christianity that makes death and sex taboo. Indeed, quite the opposite. There is a LONG Christian tradition of talking about death, the use of macabre imagery, and centering death as a core human experience. Likewise, the Bible is full of sex, and there is even an entire book that is a celebration of sexuality - including sex for pleasure outside of marriage. (Yeah, that part was really suppressed by Evangelicalism - dangerous thing to read the Bible for one’s self…) 

 

So why the strict taboo against them? Ask the Puritans. The only plausible explanation that comes to mind is that making ubiquitous topics of concern into taboos all but guarantees none of us can ever relax, and anxious people are a lot easier to manipulate. 

 

Hell. Yes. As an ex-evangelical, I can attest that this is exactly the point of the taboos. Power and control. American Evangelicalism is pretty much synonymous with Fundamentalism these days, and is a neo-Puritan movement to its core. 

 

The other thing it guarantees is that certain types of people will rebelliously gravitate toward those topics, sometimes going beyond fascination to the point of fetishization. This is the way it always goes with taboos. It’s why the most sexually repressive ideologies invariably produce the most depraved and exciting hedonists as a side effect. And it’s why a staunch refusal to have candid, sober conversations with young people about the realities of death produces things like serial killer fandom and the fashion sense I had in my own late teens. The whole goth scene is basically a bunch of mostly young Westerners openly acknowledging - and subversively celebrating - the fact that sex and death are all around us whether anyone likes it or not. 

 

I wrote about this a few years ago. Our family gave up Halloween for stupid reasons, not understanding that a healthy outlet regarding death is better than the denialism and forced happiness that Evangelicalism demands. 

 

Being comfortable with death seems about as logical as being comfortable with having to urinate. What doesn’t seem logical is hiding everything that makes us human behind tangible doors, like coffins or bathroom stalls; or behind intangible ones, like cosmetics and spurious friendliness. I don’t advocate reintroducing human sacrifice, by any means, but my fellow Americans could certainly do with a few sexy parties in a few cemeteries now and then. 

 

I agree with this in so many ways. A lot of our “bathroom panic” crap is really about shame surrounding genitals and sexuality, and the myth that men are naturally violent. We could all use a healthier approach to death - and religious people are the worst about dealing with death. (That’s my experience as an attorney and my wife’s experience as a nurse, by the way.) We could also use a far healthier approach to sexuality, understanding our nature as animals (and indeed as living organisms), and acknowledging sexuality as a natural feature of our lived experience. And maybe a few sex parties in the graveyard… 

 

Another passage that I really loved explored the way that Western (meaning white) people tend to think of their own beliefs as “philosophy” or maybe “theology,” while dismissing the thought systems of indigenous peoples as “beliefs” or “teachings” or “mythology.” Condescending as hell, and also inaccurate. 

 

Indigenous peoples have complex moral and philosophical systems too: they are not “primitive” or “savage,” but equally developed. And indeed, there is much to learn from them. (My own view is that humans are humans, and every culture has faced the same challenges and come up with varied yet similar cultural and philosophical ways of addressing those questions.) 

 

Burrillo summarizes Hopi thinking as this, which honestly sounds pretty good - and in some facets better than the very whitewashed - and thus over simplistic - ideas I was raised with.  

 

“The natural world is full of lessons for us to learn, but human beings are inherently flawed and the majority of them will ignore those lessons until it’s too late, so the kindest thing we can do for each other is share loads of laughter and love before the bastards get us all killed.” That might be the greatest philosophy I’ve ever encountered. 

 

Sounds, interestingly enough, kind of similar to stuff Christ said, doesn’t it? What with the parables about the natural world, the “narrow gate,” and “love your neighbor…”

 

The final essay, “GTFO” - a reference to an outdoors slogan: “Get the Fuck Outdoors” - is about this, but also about American identity. The backwoods of everywhere. A hodgepodge of ethnicities, religions, and philosophies. 

 

Burrillo sees the United States as going through a series of identity crises. “Who ARE we?” Not an easy question to answer, to be sure. In the past, we ended up with cultic groups and new religions like the Latter Day Saints - a way to “americanize” an ancient near eastern book. 

 

World War Two sparked the other crisis, which led to incredible social change - and a profound split between those who embraced our nation’s increasing militarism and empire-building and those who weren’t particularly keen on that idea. Burrillo sees us now in our third major crisis. 

 

Our third great identity crisis is happening right now. The gender revolution - long overdue, in my opinion - has finally erupted. Indigenous sovereignty movements are also erupting throughout the country, as are vociferous efforts to let the world know that the Black community has absolutely had it with being shoved around by authority figures. 

In response, nationalism has erupted among those who, like the many religious types in the 1800s, are desperate to maintain their long-held Euro-American picture of the world. Certain far-right types with curious sexual predilections are even seeking to form an Anglo-Saxon Party in American politics, which is more honest than “white” as a descriptor, although it’s a bit on the nose vis-a-vis colonialism….It all boils down to the same question to which it boiled the last two times: Who, exactly, are we?

 

I think this is indeed the central question of our time, particularly for white people in America. I firmly believe that white supremacy, patriarchy, and reactionary fascism are a dead end, not merely politically, but economically and evolutionarily. The future requires opportunity for everyone, and the talents of all of us will be needed to solve the issues that we face. 

 

I’ll end with something a bit lighter hearted. Near the end, Burrillo discusses the instagramming of everything, and the fallacy which sees causation between this and the increase of people getting out in the outdoors. 

 

As he puts it, there is a really, really strong correlation between ice cream consumption and shark attacks.

 

This is well known. But does eating ice cream cause shark attacks? Are humans sweeter tasting? 

 

This is obviously silly. What there is is a third variable, the underlying cause of both. People eat more ice cream when it is hot. And they swim in the ocean more when it is hot. 

 

While Burrillo doesn’t claim to understand all of the variables, what is clear is that there is a trend of people wanting to get out and experience nature - which is a good thing, even if it presents challenges. What is needed is better management of people and resources, not screeds against Instagram and social media. 

 

There is a net benefit to all who get out and hike, and we should celebrate that more people are doing it. And, as I have experienced here in California, a huge change is in demographics. When I was a kid, you mostly saw white males on the trail. Men and boys.

 

But women were starting to be more common. And now, I see people of all colors and ethnicities, out there with their kids. This is something to celebrate. Just like the glorious diversity of America - the Backwoods of Everywhere is something to celebrate. 

 

As my kids responded to the question posed by the racist asshats speaking at Trump rallies, “Are these the people you want as your neighbors?” - they - and I - respond, “HELL YES!!” 

 

Who are we? We are humans. We embrace humanity in its glorious diversity, in its rich variance, and in its endless expressions. This is who we are. 

 

I loved this book, just like I loved Behind the Bears Ears. Burrillo is one of those writers that is just straight up fun to read. And thought provoking and snarky and unexpected. I hope he continues to write, and I strongly recommend everyone take a look at his books. 

 

Monday, October 14, 2024

The Rocky Horror Show (The Empty Space 2024)

I will admit it, until last week, I was a Rocky Horror virgin. I have never seen the movie, and hadn’t gone to any of the local movie or live versions, mostly because they tended to be the late showings. (Hey, I have a job and kids and staying out all hours of the night doesn’t happen much at all.) 

 

This particular local version, at The Empty Space, was a fully live version, not a movie showing, and was the original stage version, not the screenplay. There are a few differences. I decided to go see this in part because Ron Warren was co-directing it, and because we had a few friends in the cast, including both Gradowitz girls. 

 

The show is, of course, totally campy and over the top and silly. But that is the point, and the production was a heck of a lot of fun.

 

I’m not really going to recap it, as most already know the plot. And really, Frankenstein meets vintage alien schlock - that’s enough to know in advance. Oh, and that it has significant sexual content so don’t bring your little kids. (If you are considering bringing your teens, the content includes simulated oral sex, bare breasts except for pasties, granny underwear, and plenty of innuendo.) 

 

This production had some interesting features - and it is always a fun surprise to see what TES does with their limited budgets for sets and costumes. 

 

I found the use of an elevated backstage for the narrator to be in interesting touch. It meant that Ronnie Warren had to sit in plain view the whole time, and keep character throughout. Which he, of course did, with a stuffy British accent and marvelous deadpan. It is always a joy to see Ron on stage - it has to be 25 years now since we used to see him at Bakersfield College when my wife and I were dating. 

 

The straight couple (well, at least in a few senses if not all), Brad and Janet, were played by Joshua Tiede and Molly Jiron. I can’t recall seeing Tiede in anything previously, but Jiron is a regular at TES. They had good chemistry, and, importantly, sang well. 

 

(I have to say, this may be the best vocal work I have heard at TES - solid all night.) 

 

Many of the parts were doubled or ensemble, and I’ll just touch on them. Tim Lemons made what I believe is his debut as Dr. Scott. Anjel Flores played both the usher and the lovesick Magenta with a great voice. Our friend Selah Gradowitz covered plenty of dancing and atmosphere along with the other “phantoms.” Kelsey Morrow was loveable as the unfortunate Eddie. 

 

Marina Gradowitz was creepy as hell as Riff Raff, and somehow manages to be the loudest actor despite her small size. 

I wouldn't mess with Marina if I were you...

 

Bret Mcglew was surprisingly tender and loveable as a very buff Rocky (aka the creature.) 

 It isn't easy being created...

And finally, there was Libby Letlow-Gray as the outrageous Dr. Frank-n-furter. She has been on stage not only locally, but in Los Angeles - a working pro. As with a few of the parts, she played it mostly as a male role, but definitely with plenty of gender bending. 

 

One of the things that I liked about the vibe of this show is that it really didn’t take itself too seriously. TES has been pretty good about that over the years. With casts that usually include younger students, the light-hearted feeling clearly helps those younger actors loosen up a bit and find their style. There is something unique about local theater, and also about the sort of low-budget, high artistic values approach of the smaller venues. 

 

All of this made for a fun evening, well worth the low price of admission. The Rocky Horror Show runs one more weekend, so if you are local, go see it!

 

Thursday, October 10, 2024

Ten Tomatoes That Changed the World by William Alexander

Source of book: Borrowed from the library. 

 

I have a somewhat long list of friends who are readers (birds of a flock, etc…) and when one of them recommends a book, I definitely at least take a look. If that book happens to be nerdy, well, that’s my vibe, so I usually end up reading it. This is a great way to discover interesting books. 

 

This one was recommended by my friend Sara, who has been the source of a number of books over the years. And really, does anyone seriously think I could resist a book about tomatoes?

 

(Also, read her post about the book - she highlights some great quotes I left out.) 


 

I have thought about which foods I could (if medically indicated) give up most easily. Sugar is actually not particularly high - I can live without sweet stuff. But a harder sell would be coffee. And the hardest might be tomatoes. I love tomatoes - even the bland supermarket ones. 

 

Alexander’s book tells the history of the tomato, focusing on ten specific varieties (and thus episodes.) So, we start with (in the preface) the original New World tomatoes, and then see how they (rather literally) took over the entire world. The Italian “Pomodoro,” which the Medici family made mainstream. The possibly fictional Robert Johnson who is credited with proving to Americans that tomatoes weren’t poisonous. The San Marzano - the first mainstream canned tomato. The Margarita pizza, another legend that is probably not true. Mr. Heinz and the development of modern ketchup - which involves some fun legal and regulatory shenanigans. That time Mussolini tried to ban pasta (and also the story of how tomatoes finally came to be put on top of pasta - that’s a relatively modern development.) The first hybrid tomato, Big Boy. The development of the tasteless supermarket tomato. The resurgence of heirloom varieties. And finally, the modern trend of greenhouse hydroponic tomatoes. 

 

It’s fun stuff. 

 

Alexander also has a breezy, humorous style of writing. This is less toward the science side of the PopSci spectrum, and more toward the popular side. Don’t expect extensive footnotes or scholarly sources. This is fun stuff, not something you would cite in your school essay. 

 

This is not a bad thing. It’s not like the author is just making stuff up. He does his research, and then interviews sources. But this book isn’t here to carefully lay out facts. Rather, it is to tell stories, and inform along the way. I found it quite fun. 

 

The preface is illustrative of the style. After a quick and dirty history of the conquest of the Aztecs by Cortes, he flips the script.

 

Within fourteen months, this once-thriving civilization would be in ruins, having fallen victim to Spanish aggression, germs, and their insatiable lust for silver and gold. But the true treasure of Mexico, one that in the end would have an impact comparable to that of all the precious metals in the New World, would soon find its way on a ship to Europe, to forever change the course of history. 

I’m speaking, of course, of the tomato. 

 

Early in the book, the author visits what is purported to be the scene of the unveiling of a basket of tomatoes at the Palazzo Vecchio. Which is now a government office. He is surprised to see such a historical building in use this way. But, as the secretary who guides him notes: “If we kept all the historic buildings as they were, we would have no place to live and work. This is Italy.” 

 

Speaking of history, the author notes that before the Spanish, Tenochtitlan (now Mexico City) was arguably “the largest, cleanest, and most prosperous city in the world.” It is easy to forget that there was an incredible civilization in the Americas, before disease and violence nearly wiped it out. 

 

Also interesting history is the story of Bernardo de Sahagun, a monk who is considered one of the first anthropologists. Included in his periodic reports was clear evidence of the edibility (and deliciousness) of tomatoes. However, these were suppressed by the Catholic Church, presumably, as the author puts it, because Bernardinoo was “a tad too sympathetic toward the heathens whom Bernardino had been sent over to convert to Western religion and culture.” 

 

I found the chapter on pizza to be particularly fascinating. While pizza originated in Italy, the version that has taken over the world is a distinctly American creation - created by Italian immigrants who adapted the food to a new culture and place. 

 

A disconcerting fact in this chapter is that a 1989 study showed that pizza delivery drivers had a death rate on par with coal miners, and twice as high as roofers. Yikes. 

 

Those of us of a certain age likely remember Domino’s 30 minute promise, and also “the Noid.” Anyone remember this? 

 

Well, it turns out that a paranoid schizophrenic named Kenneth Lamar Noid took this personally, and took a franchise hostage. Fortunately, after making the guy a pizza, the employees escaped while he ate it. A very strange episode. 

 

As a lawyer (and one interested in the history of government regulation - which has been an overwhelmingly positive force, by the way) I found the history of ketchup to be noteworthy. 

 

The United States has always had a weird anti-intellectual, anti-science bent, and this is how we ended up in the 1880s with literally zero regulation at the federal regulation over food safety. Even a half century later - before the New Deal - all kinds of shit could (and did) end up in food. Plaster. Formaldehyde. Arsenic. Lead. Cocaine and heroin. Sawdust. And a bunch of other bad stuff. 

 

It is easy to forget this, in our own day when food is generally regulated, inspected, and therefore unlikely to kill you. (At least in the short term.) The American Right, unfortunately, is hell-bent on eliminating these crucial regulations, thus enabling greater corporate profit at the expense of the lives of ordinary citizens. 

 

Also in this chapter: a trivia fact to annoy your friends and family with. Did you know that the reason ketchup is so hard to get out of the bottle is that it is a non-Newtonian fluid? Science!

 

And that brings us to Mussolini. 

 

Italians had tolerated Mussolini’s thuggish Blackshirts, the violent suppression of labor unions, and the murder of dissidents. But this time the fascists had gone too far. Filippo Tommaso Marinetti, a founding member of the Fascist Party who’d helped boost Mussolini into power eight years earlier, had published a manifesto in late 1930 that called for “the abolition of pasta, the absurd Italian gastronomic religion,” claiming it left Italians heavy, shapeless, and (lest anyone miss the point) unprepared for war.

 

At issue was a brew of factors that might sound familiar today. Pasta required wheat, and Italy imported most of its wheat from northern countries. What Italy grew a lot of was rice, and switching to rice would mean eating local. 

 

But there was more to it than that. 

 

Mussolini viewed food as a tool to control the immediate needs of the population and to promote a fascist agenda of self-dependency, austerity, and increased productivity and reproductivity (to replace all the Italians who’d emigrated in the previous decades). 

 

Not only did Italians (particularly those of the south) object to this forced change in diet, attempts to grow wheat in unsuitable places displaced cash crops like tomatoes and caused exports to fall. 

 

Oh, and they ended up with huge labor shortages both because of immigrant labor drying up, but also because of Mussolini’s policy of limiting women in the workplace. Hey, does that sound familiar these days? J.D. Vance, cough, cough…

 

The book also touches on SpagettiOs. I haven’t eaten those in many many years. (And the ravioli was better. Just saying.) My favorite line is this one, regarding the year-long study that was done that settled on the “O” as the shape of pasta “children could earth without making a mess.” Ha ha, that’s a good one! 

 

(They might’ve saved themselves a lot of time and money had they first sat down to a breakfast of Cheerios with their kids.) 

 

That’s the last of the lines I wrote down, but I should note that there are many other enlightening passages. I found the process of attempting to develop antibiotic-resistant tomato genes (it’s a long story, and less lurid than the press made it out to be) quite interesting, as well as the question of carbon dioxide costs of field tomatoes versus greenhouse tomatoes. (It’s….complicated.) 

 

This book was a great light (but not fluffy) read, both informative and humorous. I note that the author has written another book about tomatoes. Hmm. Maybe he has a thing for them too…

 

Wednesday, October 9, 2024

Fight Club by Chuck Palahniuk

Source of book: borrowed from the library

 

The last year or so, a couple of online friends and I have formed an informal book club, where we read agreed upon books as schedules permit. Say what you like about all the downsides of social media and the internet, but I have also found a number of friends that way - several of which I have now met in person. That applies to one of the members of this club. After a decade of online friendship, we were able to meet this last spring, and it was a real pleasure. 

 

I never saw the movie version of Fight Club. I’m not much of a movie watcher (although I do enjoy them when I do), and honestly, nothing about the movie appealed to me. 

 

Not only that, but a certain generation of young men - a certain type - fawned all over the movie. It reminded me a lot of how certain kinds of teen girls read Wuthering Heights and think it is a romantic love story. 

 

I agreed to read the book because my friend had read it and recommended it as better than the movie (books usually are) and because it fit with an ongoing discussion we have been having about toxic masculinity. 

 

Having read it now, I think the Wuthering Heights comparison is even more apt. To admire and want to adopt the “fight club” ethos is to miss the point of the book, I think. 

 

Chuck Palahniuk has had a rather interesting life. Before his writing career took off, he had a blue collar upbringing and a blue collar job as a diesel mechanic. In fact, one might say that his first writing experience was with repair manuals he wrote for Freightliner. 

 

While working for Freightliner, he met his partner, who he has been with for over 30 years. Weirdly (although possibly understandably), Palahniuk hid that he was gay for years, referring to his partner as his “wife” in interviews. Subsequent inverviews show him pretty defensive about it; honestly his interviews reveal him to have a chip on his shoulder and a paranoia streak. 

 

In light of the book, that is kind of interesting. There is some degree of biographical writing perhaps. 

 

I am not sure how much of the plot to even include here. I knew some of it before I read the book, just from listening to other people and seeing the trailers in theaters and on TV. It probably can’t be spoiled at this point, except for the few people who studiously avoid popular culture. 

 

The idea of “fighting as a means of radical psychotherapy” is practically a meme in our culture now, as is the idea of “fighting one’s self” in a very literal sense. 

 

Palahniuk describes his style as “transgressive fiction” - and it definitely does run roughshod over taboo and social niceties. He isn’t the first, to say the least. One could consider “picaresques” of the 18th Century to be early examples. Such a genre is of course firmly rooted in the culture of its time - taboos change. 

 

I haven’t really decided how I feel about the book. It certainly taps into a certain kind of toxic masculinity, a sense of male frustration about living in a consumerist society. Which I totally get. I’m not a big fan either, although I prefer to take my frustrations out making music or walking up mountains. 

 

Another factor in why I didn’t find the book to resonate personally is that I was raised with a far healthier sense of masculinity than this book describes. The narrator first seeks emotional connection in attending deadly diseases support groups (perhaps inspired by the author’s volunteer work transporting members of these groups), and then in the fights at Fight Club. 

 

My own upbringing allowed for a good degree of emotions for men and boys. I am grateful to my parents for that part of my upbringing. They wanted me to be healthier emotionally than they were, and I believe they succeeded to a significant extent. 

 

(There were really only two issues I think that undermined this otherwise good approach my parents took. First, expressing negative emotions about them - and especially my sister - was off limits. So I ended up acting out rather than speaking out. Indeed, it took me into my 30s before I was able to actually express to them my negative feelings about their behavior - and they did not take it well. Second, after we got involved with Bill Gothard’s cult, expressing negative emotions was increasingly viewed as “rebellion.” You can guess all that flowed from that.)

 

Because of this upbringing, particularly before our cult days, I have been able to form emotionally close relationships with people - and not just my wife. I have friends, male and female, who I am able to be vulnerable, and I am glad of that. One could say that I tend to wear my heart on my sleeve, at least once I get to know someone. 

 

Before American Evangelicalism became a Trump Cult, I felt that church was also a place where I could get that intimacy that all of us, male or female, need. I miss that, but have worked to expand my friendship circles and find my tribe in other ways. 

 

To me, the point of the book isn’t that having fight clubs is a good thing, or that manly men need to engage in ritual violence to find emotional connection, or any of that rot. Rather, it is that, without healthy ways of finding emotional outlet and intimacy, humans act out in violent and antisocial ways. And, as a corollary, consumerism is no substitute for connection, as the protagonist discovers. 

 

While I think the book has its flaws and its strengths, I can see how it would be popular with (and misunderstood by) a certain kind of surface reader. The style is deliberately simple, with short sentences and repeated mantras. I can all too easily be read as an uncritical paean to violent toxic masculinity - just like people read the Bible and adopt all of the worst of what it depicts. But to really understand Fight Club, you have to look at what is actually happening: the slow destruction of the narrator’s psyche as he self-medicates with violence against himself, others, and society - it is an analogue to heroin, with its highs, lows, withdrawal effects, and ultimate self-destruction. 

 

There are a few lines I jotted down as being worth quoting. 

 

For example, this description of the support groups. 

 

Everyone clinging and risking to share their worst fear, that their death is coming head-on and the barrel of a gun is pressed against the back of their throats. 

 

This is an obvious parallel to the final (and opening) scene in the book, with the narrator on top of a skyscraper with a gun in his mouth. 

 

Much later in the book, he expands on what he likes about the groups. 

 

This is why I loved the support groups so much, if people thought you were dying, they gave you their full attention. 

If this might be the last time they saw you, they really saw you. Everything else about their checkbook balance and radio songs and messy hair went out the window.

You had their full attention.

People listened instead of just waiting for their turn to speak. 

And when they spoke, they weren’t telling you a story. When the two of you talked, you were building something, and afterward you were both different than before. 

 

It is sad to require the perception of dying to get this kind of intimacy. This is what friendship - even more than marriage - is for. 

 

At the groups, he meets another “tourist” (one who is faking being sick) named Marla. Who is every bit as mentally unhealthy as he is. They recognize each other, but agree not to squeal - it is a mutually assured destruction situation. 

 

There is another scene early in the book, that makes no sense until far later. The narrator’s apartment blows up, and his weirdly dissociated description of it is haunting. 

 

Still, a foot of concrete is important when your next-door neighbor lets the battery on her hearing aid go and has to watch her game shows at full blast. Or when a volcanic blast of burning gas and debris that used to be your living-room set and personal effects blows out your floor-to-ceiling windows and sails down flaming to leave just your condo, only yours, a gutted charred concrete hole in the cliffside of the building. 

These things happen. 

 

While I disagree with the narrator’s solution to consumerism, I do find his diagnosis of the problem to be plausible. And this line, coming after a detailed, name-dropping description of his carefully curated crap is excellent. 

 

And I wasn’t the only slave to my nesting instinct. The people I know who used to sit in the bathroom with pornography, now they sit in the bathroom with their IKEA furniture catalogue.

 

And then there is more detailed description. 

 

Oh, not my refrigerator. I’d collected shelves full of different mustards, some stone-ground, some English pub style. There were fourteen flavors of fat-free salad dressing, and seven kinds of capers. 

 

That’s only a slight exaggeration of my own pantry. Sigh. I feel seen. At least I know how to cook with them. 

 

After this destruction, he ends up crashing at the house of the anti-hero, Tyler Durden. (I won’t spoil the rest of the story about this.) Who lives in a decidedly different place. 

 

This is the perfect house for dealing drugs. There are no neighbors. There’s nothing else on Paper Street except for warehouses and the pulp mill. The fart smell of steam from the paper mill, and the hamster cage smell of wood chips in orange pyramids around the mill. This is the perfect house for dealing drugs because a bah-zillion trucks drive down Paper Street everyday, but at night, Tyler and I are alone for a half mile in every direction. 

 

The final line I want to feature is much more philosophical - perhaps even theological. It is part of a recurring conversation about transgression and meaning. This particular moment comes out of another recurring conversation, about how we tend to think that God is like our human father. 

 

(This is one important thing I understand about my mother, is that her desperate need to make God love her is 100 percent an extension of her failure to get her father to love her.) 

 

Tyler is perhaps the most nihilistic of the characters, but his perspective is certainly interesting. 

 

“What you have to consider,” he says, “is the possibility that God doesn’t like you. Could be, God hates us. This is not the worst thing that can happen.”

How Tyler saw it was that getting God’s attention for being bad was better than getting no attention at all. Maybe because God’s hate is better than his indifference. 

If you could be either God’s worst enemy or nothing, which would you choose?

 

This may be the core of the book, and the best explanation for the actions of its characters. Everyone wants to matter. Everyone needs and craves connection. A negative connection is better than nothing at all. Being bloodied by another man is more satisfying than sleepwaking through life. Blowing shit up and earning the wrath of society is more satisfying than society not caring about you at all. Better to be evil than indifferent. 

 

It’s not my personal preference for philosophy, but then again, I believe I matter to at least a few other people, and that my life has meaning, even if I have to create it. 

 

Fight Club was definitely an interesting book. I’m not sure I am eager to read more by the author, but I am glad I read this one. 

 

***

 

Weird bonus fact: one of our otherbook club’s members works at a local library, and she says that Palahniuk’s books are the most stolen from the library. Tyler Durden would probably approve, I guess. But seriously? It’s not like they are that difficult to buy.