Wednesday, November 6, 2024

When the Light of the World was Subdued (Part 2)


Source of book: I own this

 

[I am intentionally not yet posting anything about the election. I will eventually, as it may have an effect on this blog going forward. Stay tuned.] 

 

This is the second installment of posts about this collection of Native Nations poetry. You can read the first one here. As I noted in the first post, the book is divided into section based on geography. The first section was the northeast and midwest. This one is the plains and mountains. Within the section, the poems are arranged in chronological order based on the date of birth of the poet. 

 

The Plains nations are ones that are often familiar to us white folk, although often for the wrong reasons. We may know the names of Sitting Bull and Crazy Horse, the defeat of Custer, the massacre at Wounded Knee. Some of the nations have made it into our vernacular, such as Dakota, Omaha, Cheyenne, Muscogee. Others are familiar: Crow, Blackfoot, Kiowa, Sioux, Shoshone, Comanche. And a few are less so: Ihanktonwa, Kootenai, Anishinaabe, Assiniboine. 

 

Our American mythology often centers around the Plains and Mountains tribes, with white people cast as the heroes fighting off the murderous subhuman savages. Forgotten - or more accurately intentionally suppressed - are the stories of genocide, ethnic cleansing, land theft, broken treaties, and the murder of women and children that are a more accurate characterization of the American government toward the nations of our continent’s heartland. 

 

As with the previous section, this one contains poems about a wide variety of subjects. Certainly there is reckoning with the past, but also hope for the future, and the universal human themes that inspire all humans of good will. 

 

Like the other part, I struggled to select a modest number of poems to feature. So many were outstanding and meaningful, and all I can do is pick the ones that spoke to me the most this time through, and encourage my readers to purchase this book and immerse themselves in it. 

 

Joy Harjo and her contributing editors again did a fantastic job of choosing a wide variety of poems and authors. Women are well represented, as are the many nations. 

 

The first poet featured is Elsie Fuller, born sometime in the 1870s, with an unknown life span. She was from the Omaha nation, and was one of many Native children stolen from their families and forced to learn English and white culture at boarding schools. Oh, and she also was sent to “work” for white families in New England during her summers rather than seeing her family. In another context, we would call this slavery. 

 

In any case, this poem packs a punch. 

 

A New Citizen

 

Now I am a citizen!

            They’ve given us new laws,

Just as were made

            By Senator Dawes.

 

We need not live on rations,

            Why? There is no cause,

For “Indians are citizens,”

            Said Senator Dawes.

 

Just give us a chance,

            We never will pause.

Till we are good citizens

            Like Senator Dawes.

 

Now we are citizens,

            We all give him applause-

So three cheers, my friends,

For Senator Dawes!

 

Shostakovich would perhaps approve of that sarcasm. 

 

Next up is D’Arcy McNickle, of the Metis and Confederated Salish and Kootenai nations. He is probably best known for his work at the Bureau of Indian Affairs encouraging greater autonomy for tribes. He also taught and wrote in a variety of genres. 

 

Man Hesitates but Life Urges

 

There is this shifting, endless film

And I have followed it down the valleys

And over the hills, -

Pointing with wavering finger

When it disappeared in purple forest-patches

With its ruffle and wave to the slightest-breathing wind-god.

 

There is this film

Seen suddenly, far off

When the sun, walking to his setting,

Turns back for a last look,

And out there on the far, far prairie

A lonely drowsing cabin catches and holds a glint,

For one how endless moment,

In a staring window the fire and song of the martyrs!

 

There is this film

That has passed to my fingers

And I have trembled,

Afraid to touch.

 

And in the eyes of one

Who had wanted to give what I had asked

But hesitated - tried - and then

Came with a weary, aged, “Not quite,”

I could but see that single realmless point of time,

All that is sad, and tired, and old -

And endless, shifting film.

 

And I went again

Down the valleys and over the hills,

Pointing with wavering finger;

Ever reaching to touch, trembling,

Ever fearful to touch. 

 

That’s a truly beautiful poem. 

 

I have previously posted about N. Scott Momaday (Kiowa), who I really love. There are several of his poems in this collection, which is no surprise, as he is one of the premier Native poets of our time. I chose this one to feature in this post. 

 

The Delight Song of Tsoai-Talee

 

I am a feather on the bright sky.

I am the blue horse that runs in the plain.

I am the fish that rolls, shining, in the water. 

I am the shadow that follows a child.

I am the evening light, the luster of meadows.

I am an eagle playing with the wind.

I am a cluster of bright beads.

I am the farthest star.

I am the cold of dawn.

I am the roaring of the rain.

I am the glitter on the crust of the snow.

I am the long track of the moon in a lake.

I am a flame of four colors.

I am a deer standing away in the dusk.

I am a field of sumac and the pomme blanche.

I am an angle of geese in the winter sky.

I am the hunger of a young wolf. 

I am the whole dream of these things.

You see, I am alive, I am alive.

I stand in good relation to the earth.

I stand in good relation to the gods.

I stand in good relation to all that is beautiful.

I stand in good relation to the daughter of Tsen-tainte.

You see, I am alive, I am alive. 

 

The next one is by Lance Henson (Southern Cheyenne). 

 

Anniversary Poem for Cheyennes Who Died at Sand Creek

 

when we have come this long way

past cold grey fields

past the stone markers etched with the

names they left us

 

we will speak for the first time to the season

to the ponds

 

touching the dead grass

 

our voices the color of watching

 

This one, by John Trudell (Santee Dakota), seems relevant today. 

 

Diablo Canyon

 

Today I challenged the nukes

The soldiers of the state

Placed me in captivity

Or so they thought

They bound my wrists in their

Plastic handcuffs

Surrounding me with their

Plastic minds and faces

They ridiculed me

But I could see through 

To the ridicule they brought

On themselves

They told me to squat over there

By the trash

They left a soldier to guard me

I was the Vietcong

I was Crazy Horse

 

Little did they understand

Squatting down in the earth

They placed me with my power

My power to laugh

Laugh at their righteous wrong

Their sneers and their taunts

Gave me clarity

To see their powerlessness

 

It was in the way they dressed

And in the way they acted

They viewed me as an enemy

A threat to their rationalizations

I felt pity for them

Knowing they will never be free

 

I was their captive

But my heart was racing

Through the generations

The memories of eternity

 

It was beyond their reach

I would be brought to the 

Internment camps 

To share my time with allies

 

This time I almost wanted to believe you

When you spoke of peace and love and

Caring and duty and god and destiny

But somehow the death in your eyes and 

Your bombs and your taxes and your

Greed and your face-life told me

 

This time I cannot afford to believe you

 

I want to send the last two stanzas out to my parents, who I wanted to believe for so long, but have turned out to have lied about all that shit about peace and love and caring and duty and god - it was all just lies they didn’t believe. In the end, it was all just greed and racism and hate, and they threw me away as soon as I stopped validating them. Kind of like Evangelicalism did. 

 

This next poem is by Nila Northsun (Shoshone and Anishinaabe). As someone who has enjoyed cooking since childhood, and who has eaten commodity cheese, this poem resonated with me. 

 

Cooking Class

 

when you’ve starved most of your life

when commodities

the metalling instant potatoes

the hold your nose canned pork

the pineapple juice that never dies

the i didn’t soak them long enough pinto beans

the even the dog won’t eat this potted meat

potted as in should have been buried

in a potter’s field

when the wonderful commodity cheese 

or terrible commodity cheese

that winos tuck ‘neath their pits

and knock on your door

trying to sell it for $5

but taking $3

is all stored in the basdement

or in closets

or left in the original boxes

lining hallways

of your hud house

cause there’s just no more room

you wonder

how can anyone starve

with so much food

but there are other starvations

like developing the taste for

lard sandwiches

or mustard and commodity cheese sandwiches

just cut the mold off the crusts of bread

and boil the tomato juice until it’s usable as

a spaghetti sauce

certainly don’t use the tomato sauce for

your Sunday morning bloody mary

to accompany your blueberry blintzes

or smoked salmon quiche

unless 

you have a major change in attitude

cause the dried egg product can quiche

with the flour

and the powdered milk

and if you’re a northwest coast tribe

salmon or whatever fish

thing is possible

if not

some rich people pay good money

for the antelope or elk you can knock off

in your back yard

why bother with just goose liver pate

when you can have the whole damn canadian honker

blasted from its migratory path?

pheasants and quail are roadkill all the time

it’s just tenderized

it’s all in the attitude

and the presentation

parsley does wonders

for aesthetic contrast to

macaroni and cheese

again

and again

and again

 

I have to include this one, by Heid E. Erdrich (Anisinaabe - Turtle Mountain Band), who is the sister of Louise Erdrich, whose books I have written about several times. Heid also wrote the introduction to this section, which is excellent. As regular readers know, I am a huge fan of Robert Frost, and have been since childhood. That said, his poem “The Gift Outright” is a bunch of Manifest Destiny horseshit, which deserves this response. 

 

The Theft Outright

                        after Frost

 

We were the land’s before we were.

 

Or the land was ours before you were a land.

Or this land was our land, it was not your land.

 

We were the land before we were people,

loamy roamers rising, so the stories go,

or formed of clay, spit into with breath reeking soul -

 

What’s America, but the legend of Rock ‘n’ Roll?

 

Red rocks, blood clots bearing boys, blood sands

swimming being from women’s hands, we originate,

originally, spontaneous as hemorrhage. 

 

Unpossessing of what we still are possessed by,

possessed by what we now no more possess.

 

We were the land before we were people,

dreamy sunbeams where sun don’t shine, so the stories go,

or pulled up a hole, clawing past ants and roots - 

 

Dineh in documentaries scoff DNA evidence off.

They landed late, but canyons spoke them home.

Nomadic Turkish horse tribes they don’t know.

 

What’s America, but the legend of Stop ‘n’ Go?

 

Could be cousins, left on the land bridge,

contrary to popular belief, that was a two-way toll.

In any case we’d claim them, give them someplace to stay.

 

Such as we were we gave most things outright

(the deed of the theft was many deeds and leases and claim stakes

and tenure disputes and moved plat markers stolen still today…)

 

We were the land before we were a people,

earthdivers, her darling mudpuppies, so the stories go,

or emerging, fully forming from flesh of earth - 

 

The land, not the least vaguely, realizing in all four directions,

still storied, art-filled, fully enhanced.

Such as she is, such as she wills us to become. 

 

I’ll end with this one, by Tevino L. Brings Plenty (Minneconjou Lakota). 

 

Ghost River

 

I’m mostly water.

There has been family swept under by raw currents.

 

I’m from planters from the river.

We dredged riverbed bones.

 

Water is faces lined blue.

Red horses bay bodies hooked from fish line.

 

And what was sown, brown hands dug free.

I’m mostly other people. 

 

Family is pulled pail full from source.

I’m from river people. 

 

We prep the light from matted hair.

Water catches flame.

 

The black horses hoof rock, halving them like thin, infant skulls.

And what was sown, brown hands dug free. 

 

In these troubled times, it will be increasingly necessary for those of us who still retain basic human decency to pull together, and keep the voices of the marginalized alive. I strongly recommend purchasing books like this both to encourage publishers to keep publishing them despite pressure from the bigots, and also because there is a significant risk that publishers will cave to the fascists and end their attempts to print books by those other voices. 



Wednesday, October 30, 2024

Jailbird by Kurt Vonnegut

Source of book: I own this.

 

I received a box of books by Vonnegut when a colleague downsized, and I have been working to read through them as I get time. I went with Jailbird because I found a Franklin edition at a library sale, and figured I should read that one next. I also have a cheap paperback from that box, and that is the one I took on a recent backpacking trip - it was light and small, and I really wouldn’t have been particularly sad if it got damaged. (Say, from falling in a lake. Unlikely, but you never know…) 


 

Jailbird is all about the Watergate scandal, plus a bit about the Labor movement a generation before that. The main protagonist is the fictional Walter F. Starbuck, a minor government official, who is wrongly convicted in the scandal because compromising documents were stored in his basement office. 

 

We get Starbuck’s backstory, which ends up involving the Labor movement and Sacco and Vanzetti, his marriage to a holocaust survivor, and his estrangement from his only child. After that, his trial and imprisonment, and his post-prison life which takes a bizarre turn. 

 

A bunch of other stuff is brought into the book during its many digressions. Including the Radium Girls. Surprisingly, the book mentions Roy Cohn in a mildly positive light. (As being a good attorney. Not a good person, which is an impossible case to make. But he was also a shitty lawyer too, a true embarrassment to the profession for his ethical nihilism.) 

 

I also learned a new thing from this book: the cocktail known as a “pousse-cafe.” Have you ever heard of it? I guess they were a thing back in the day. They seem to me to be more about the visual aesthetics than drinkability, but your mileage may vary. 

 

The narrative is strangely linear for Vonnegut, and lacks aliens. Kilgore Trout does make a token appearance, using a pseudonym, and with details that contradict the facts in other books. 

 

I have mixed feelings about the book. On the positive side, it truly sets forth Vonnegut’s political ideas, particularly his support for labor against capital. It also has some brilliant satire of society and government. A few of the characters, including the protagonist, are memorable. 

 

On the other hand, it lacks the human connection that I found in previous books. Slaughterhouse-Five is somewhat autobiographical, as Vonnegut lived through the firebombing of Dresden himself as a prisoner of war. It feels viscerally real. 

 

Likewise, Breakfast of Champions explores mental illness and how people descend into conspiratorial thinking. With characters patterned after Vonnegut’s family, it also feels personal and real. 

 

While I found Starbuck to be a compelling character, his constant dissociation and lack of change meant he felt at a distance. A few other characters flirted with connection, but they were in and out of the book fairly quickly - specifically the four loves of Starbuck’s life, who were fascinating, but then disappeared before you really got to know them fully. 

 

Perhaps this was Vonnegut’s intention - and he himself thought Jailbird was one of his best books. I just found it a bit harder to find that connection and realness that was so apparent in the other books. 

 

This is not to say the book is bad - just not as good (in my opinion) as the others of his I have read. 

 

There are, of course, some great lines - Vonnegut is always incredibly quotable. 

 

Starbuck, after World War Two, admires the new American army and its ostensible goals. Enjoy the snark. 

 

They were to be a thunderbolt with which we could vaporize any new, would-be Hitler, anywhere in the world. No sooner had the people of a country lost their freedom, than the United States of America would arrive to give it back again. 

 

This was written, of course, after the disaster of Vietnam…

 

There is also a digression about a Black prisoner of war held by China. I won’t get into all the details, but this line from the man in question is great. 

 

“They wanted me back, you know,” he told me, “because they were so embarrassed. They couldn’t stand it that even one American, even a black one, would think for even a minute that maybe America wasn’t the best country in the world.” 

 

Some things never change, I guess. 

 

This one is more funny than satirical. 

 

The function of a tuxedo, in fact, is exactly that: to put the wearer into an alternate universe.

 

There is also a strange story about Einstein and auditors (divine auditors, actually), which has an interesting conclusion. 

 

The story was certainly a slam at God, suggesting that he was capable of using a cheap subterfuge like the audits to get out of being blamed for how hard economic life was down here. 

 

The book ends with a rather bizarre twist. I won’t spoil most of it, but there is a bit about the debacle of trying to leave a giant corporation to charity. 

 

What, in my opinion, was wrong with Mary Kathleen’s scheme for a peaceful economic revolution? For one thing, the federal government was wholly unprepared to operate all the businesses of RAMJAC on behalf of the people. For another thing: Most of those businesses, rigged only to make profits, were as indifferent to the needs of the people as, say, thunderstorms. Mary Kathleen might as well have left one-fifth of the weather to the people. 

 

This is a perceptive observation, and gets at one of the reasons that Communism failed. Yes, of course, there are all kinds of problems - Communism was implemented as essentially a religion, and a fundamentalist one at that, rather than as a tool. 

 

But it also retained so much of industrial capitalism that it ended up mostly being a worse, totalitarian form of it. Vonnegut is right - the very structure of industry rigged to make profit isn’t improved because you make the government run it. And hierarchy-based business just changes hierarchies with ownership. 

 

Whether or not you believe that society can go back to a time before industrialization or reverse the trend toward consolidation in business, what is clear is that 18th and 19th Century economic theories and tools have proven wholly useless in addressing the issues we currently face. And that goes for both unregulated capitalism and utopian Marxism. 

 

Vonnegut satirizes both in this book, but doesn’t have clear answers to suggest. I think he is right about that. Solutions will need shifting more power to labor and away from the billionaire class, for sure, but the exact solutions will need to be discovered pragmatically, not ideologically. 

 

Interesting book. Not his best, but worth reading. 



Tuesday, October 29, 2024

The Autocrat of the Breakfast Table by Oliver Wendell Holmes Sr.

Source of book: I own this

 

In 1858, if you had predicted that Oliver Wendell Holmes Sr. would be only the second most famous Oliver Wendell Holmes, you probably would have been laughed at. After all, he was a famous wit, a respected and influential physician, researcher, and academic. Oh, and his poems too were wildly popular. 

 

So what happened? Well, nothing that would tarnish the reputation of Oliver Sr. Only that his son, Oliver Wendell Holmes Jr. would be appointed to the Supreme Court by president Theodore Roosevelt, serve for 30 years with distinction, and become one of the most cited and most revered justices (particularly by us progressive sorts) of all time. 

 

I mean, in addition to broadly supporting civil rights in general and writing opinions which have stood the test of time, he is the originator of the “free speech would not protect a man in falsely shouting fire in a theatre and causing a panic” line. 

 

But don’t forget about Oliver Sr. either. I suspect kids these days don’t read his poems for school like I did, but they really should. I enjoyed his writing in high school, but really hadn’t ended up with any of his works in my library - they just aren’t that readily available in hardback. 

 

A bit about Senior. He grew up in New England, the son of a minister, and grew up reading literature. It is unsurprising that he started writing poetry young - he was a descendent of America’s first published poet, Anne Bradstreet

 

His father had hoped he would go into the ministry himself, but, after a miserable year at the Calvinist Phillips Academy, where he wrote that he deplored the "bigoted, narrow-minded, uncivilized" attitudes of many of the teachers, he was accepted into Harvard, and studied law. 

 

(Throughout his life, Holmes would deplore Calvinist doctrine - particularly that of “total depravity,” which he noted led to madness and suicide. I am completely with him on this.) 

 

He found he did not particularly enjoy law, however, and preferred writing poetry. Around this time, he had his first big hit with “Old Ironsides,” which is credited with preserving the USS Constitution, which was scheduled to be dismantled. I memorized this poem for school back in the day, although I can only recall a few lines now. 

 

Despite this success, he never seriously considered a literary career. He switched to medicine, and opened a practice, but ended up spending his time primarily as a teacher and researcher. As a result, he became a famous reformer. I won’t get into all the details, but he worked to end the use of bloodletting as a treatment (his research and that of others led to the conclusion that it was useless), discredited homeopathy as the quackery it is, and studied childbed fever - publishing his findings a few years before Semmelweiss came to the same conclusion in Europe. 

 

Oh, and he coined the term “anesthesia.” 

 

As a teacher, he was well beloved by his students, but his tenure also caused controversy on two occasions. 

 

He had the audacity to advocate for the admission of women (gasp!) and African-Americans (double gasp!) to Harvard. Unfortunately, he was unsuccessful, as the good old boys had no desire to open their club. 

 

Other fun facts: Arthur Conan Doyle named his famous detective after Holmes. 1809 was not only the birth year of Holmes, but also Poe, Tennyson, Edward Fitzgerald, Abraham Lincoln, Charles Darwin, and William Gladstone. What a year that was. 

 

The one blemish I could find in his belief system is that he was not an abolitionist. He naively believed that slavery could be ended peacefully, and found abolitionist rhetoric to be inflammatory. So, kind of the “white moderate” MLK found distasteful. He was, however, a supporter of the Union. 

 

In any case, a man who was a true original, and the kind of thinker I aspire to be: preferring evidence to dogma, advocating for equality, and enjoying witty conversation with other thinkers. 

 

The Autocrat of the Breakfast Table had its origins in 1931, with a pair of essays in The New-England Magazine. These would later be reworked and incorporated in part into the later series that would become this book. 

 

In the 1850s, Holmes, along with a “who’s who” of New England writers - Longfellow, Whittier, Lowell, Stowe, Emerson - founded The Atlantic, which many of us still read. These essays were then published in the magazine, and later collected into a book. 

 One of many delightful illustrations by Raymond Holden in my edition

It is a bit difficult to categorize the essays. Are they fiction? Non-fiction? The problem is that they are written ostensibly by the title character, who is not exactly Holmes, but not exactly not Holmes either. They partly tell a story of characters in a boarding house. Which resembles one Holmes lived in in the 1830s, and was filled with characters similar to those in the essays. So sort of fiction there. 

 

But also, the essays are mostly wit and opinions, which is non-fiction, and poems, which are, well, poetry. 

 

Since I am not entirely certain, I think I will have to index this under all three categories, and let the reader decide. 

 

Further complicating the way the essays read is that the narrator is not the only voice. There is “the professor” who is the central character of the sequel, who might be Holmes, but is played for laughs quite often. The professor’s poems and writings are often spoofs, parodies, and intended to be amusing in no small part because of how seriously the professor takes them. 

 

The book is amusing in a gently comedic way - Holmes is out to poke light fun, not be mean-spirited. Society, particularly upper-class New Englanders like Holmes himself, is the butt of the jokes.

 

The one sour note in the book is probably unavoidable. Holmes was a man of his times, and there are a number of casual assumptions about women and various minorities that are really cringe. I think I have referred to these as “casual racism” and “casual sexism” before, and I think that is the best way to describe them. These are just base assumptions that few white males of the time would even have noticed - and indeed, female authors often assume the same gender stereotypes to be true in their writings.

 

It is what it is, to a degree, and the best I can say is that future readers will undoubtedly read what we write in our own time, and cringe a bit at our blind spots. I’ll also note that Holmes isn’t hateful at all - he means no harm, but doesn’t even notice his assumptions.

 

Despite these flaws, and despite the fact that I vehemently disagree with Holmes about whether puns are a good form of humor, this book really is incredibly witty. There are so many great lines, percipient observations, and insights into human nature. The man had a way with words. 

 

I’ll share my favorites. 

 

In addition to an introduction by Van Wyck Brooks, my Heritage edition contains three of Holmes’ prefaces: the original in 1858, a later edition in 1882, and one more in 1891. I love a line from the second one.

 

And now, for the first time for many years I have read them myself, thinking that they might be improved by various corrections and changes. But it is dangerous to tamper in cold blood and in after life with what was written in the glow of an earlier period. Its very defects are a part of its organic individuality. It would spoil any character these records may have to attempt to adjust them to the present age of the world or of the author. We have all of us, writers and readers, drifted away from many of our former habits, tastes, and perhaps beliefs. 

 

As I occasionally re-read posts on this blog, I am struck by how much I have changed over the last 14 years. I hope for the better. This is why the only edits I make on past posts is to correct typographical errors. Any other notations preserve the original and just add a comment from the present. 

 

So, with that, let me share my favorite witty passages. 

 

I was just going to say, when I was interrupted, that one of the many ways of classifying minds is under the heads of arithmetic and algebraical intellects. All economical and practical wisdom is an extension or variation of the following arithmetical formula: 2 + 2 = 4. Every philosophical proposition has the more general character of the expression a + b = c. We are mere operatives, empirics, and egotists, until we learn to think in letters instead of figures. 

 

This gives a bit of the style of the Autocrat. As does this one:

 

What are the great faults of conversation? Want of ideas, want of words, want of manners, are the principal ones, I suppose you think. I don’t doubt it, but I will tell you what I have found spoil more good talks than anything else; - long arguments on special points between people who differ on the fundamental principles upon which those points depend. 

 

This, by the way, is why I mostly avoid engaging with right wingers. We disagree on the fundamental principles - indeed the very nature of truth and reality. 

 

It is an odd idea, that almost all our people have had a professional education. To become a doctor a man must study some three years and hear a thousand lectures, more or less. Just how much study it takes to make a lawyer I cannot say, but probably not more than this. Now, most decent people hear one hundred lectures or sermons (discourses) on theology every year, - and this, twenty, thirty, fifty years together. The clergy, however, rarely hear any sermons except what they preach themselves. A dull preacher might be conceived, therefore, to lapse into a state of quasi heathenism, simply for want of religious instruction. And, on the other hand, an attentive and intelligent hearer, listening to a succession of wise teachers, might become actually better educated in theology than any one of them. 

 

He later makes a quip about his own tendencies. 

 

I will say, by the way, that it is a rule I have long followed, to tell my worst thoughts to my minister, and my best thoughts to the young people I talk with.

 

This next one is part of a longer discussion of memories and how they affect - and scar - us. 

 

The rapidity with which ideas grow old in our memories is in a direct ratio to the squares of their importance. Their apparent age runs up miraculously, like the value of diamonds, as they increase in magnitude. 

 

How about this one as well?

 

Insanity is often the logic of an accurate mind overtasked. Good mental machinery ought to break its own wheels and levers, if anything is thrust among them suddenly which tends to stop them or reverse their motion. A weak mind does not accumulate force enough to hurt itself; stupidity often saves a man from going mad. 

 

***

 

Don’t flatter yourself that friendship authorizes you to say disagreeable things to your intimates. On the contrary, the nearer you come into relation with a person, the more necessary do tact and courtesy become. Except in cases of necessity, which are rare, leave your friend to learn unpleasant truths from his enemies; they are ready enough to tell them. 

 

Then, there is this one, about having overindulged on a particularly excellent pie. 

 

I took more of it than was good for me, - as much as 85º, I should think, - and had an indigestion in consequence. While I was suffering from it, I wrote some sadly desponding poems, and a theological essay which too a very melancholy view of creation. When I got better, I labeled them all “Pie-crust,” and laid them by as scarecrows and solemn warnings.

 

***

 

Men, like peaches and pears, grow sweet a little while before they begin to decay. I don’t know what it is, - but it is a fact, that most writers, except sour and unsuccessful ones, get tired of finding fault at about the time when they are beginning to grow old.

 

On occasion, the Autocrat borrows bon mots from other writers. In this case, Sir Thomas Browne. 

 

“Every man truly lives, so long as he acts his nature, or some way makes good the faculties of himself.”

 

Perhaps a reminder that this isn’t some modern “woke” affectation - great thinkers for centuries have noted that all of us thrive better when we are able to live in accordance with our own gifting and true self. 

 

There is another passage that talks about our tendency to compare ourselves with our early friends - “how far we have come.” It is both quite funny and yet pretty pointed. 

 

There is one very sad thing in old friendships, to every mind which is really moving onward. It is this: that one cannot help using his early friends as the seaman uses the log, to mark his progress. Every now and then we throw an old schoolmate over the stern with a string of thought tied to him, and look, - I am afraid with a kind of luxurious and sanctimonious compassion, - to see the rate at which the string reels off, while he lies there bobbing up and down, poor fellow! and we are dashing along with the white foam and bright sparkle at our bows…

 

Here is another hilarious moment:

 

A lyric conception - my friend, the Poet, said - hits me like a bullet in the forehead. I have often had the blood drop from my cheeks when it struck, and felt that I turned as white as death. Then comes a creeping as of centipedes running down the spine, - then a gasp and a great jump of the heart, - then a sudden flush and a beating in the vessels of the head, - then a long sigh, - and the poem is written. 

 

On this subject, he compares poems to the great violins (and to a Meerschaum). 

 

Now I tell you a poem must be kept and used, like a meerschaum, or a violin. A poem is just as porous as the meerschaum; - the more porous it is, the better. I mean to say that a genuine poem is capable of absorbing an indefinite amount of the essence of our own humanity, - its tenderness, its heroism, its regrets, its aspirations, so as to be gradually stained through with a divine secondary color derived from ourselves. So you see it must take time to bring the sentiment of a poem into harmony with our nature, by staining ourselves through every thought and image our being can penetrate. 

 

The meerschaum and Stradivarius are mentioned in one of the poems in this book, another I read and enjoyed as a kid, “Contentment.” 

 

You never need think you can turn over any old falsehood without a terrible squirming and scattering of the horrid little population that dwells under it. 

 

Fascinating how the Trump Era has done this - his lies have revealed the disgusting and deplorable underbelly of America. Another currently relevant quote:

 

Controversy equalizes fools and wise men in the same way, - and the fools know it.

 

This one too:

 

Sin has many tools, but a lie is the handle which fits them all. 

 

And one more! Holmes is on a roll here. 

 

I made a comparison at table some time since, which has often been quoted and received many compliments. It was that of the mind of a bigot to the pupil of the eye; the more light you pour on it, the more it contracts. 

 

(Holmes notes that he later discovered Thomas Moore had used the simile some time before - they realized the same thing independently.)

 

But yes, this has, unfortunately, been my experience over the last decade. 

 

Another passage that I found fascinating was the one on class. Holmes shared some of his age’s assumptions that some people were just naturally better than others, and thus became rich and privileged through their own merit - this is a key American myth. 

 

What I did find interesting is that Holmes saw better than others that privilege feeds on itself - if you grow up privileged, you have advantages that look a lot like merit that you can pass on to your children. As an example in my own life, because I grew up with literate parents, I was exposed to books very young and started life out better read than my peers who had parents trying to learn a new language. 

 

This is by no means a reason I feel ashamed - no rational person truly hates the good things they have, and an education isn’t soul-corrupting the way excessive wealth is. But I also recognize that it is an unearned advantage. Thus, I want to help others who didn’t have it to succeed at learning as well. 

 

Here is what Holmes had to say: 

 

Money kept two or three generations transforms a race, - I don’t mean merely in manners and hereditary culture, but in blood and bone. Money buys air and sunshine, in which children grow up more kindly, of course, than in close, back streets; it buys country places to give them happy and healthy summers, good nursing, good doctoring, and the best cuts of beef and mutton. 

 

That’s pretty progressive thinking. 

 

Beware of making your moral staple consist of the negative virtues. It is good to abstain, and teach others to abstain, from all that is sinful or hurtful. But making a business of it leads to emaciation of character, unless one feeds largely also on the more nutritious diet of active sympathetic benevolence. 

 

Another way I would put this is that legalism - that “negative virtue” - makes one feel self-righteous without having to actually be virtuous. In the subculture I was raised in - and indeed, as current events show, this is endemic to conservative religion in this country - focus on abstaining from things - and demanding others do so - entirely has taken the place of empathy and loving one’s neighbor. 

 

An interesting note here is that Holmes deplored the temperance movement. The above quote may explain why. 

 

You may set it down as a truth which admits of few exceptions, that those who ask your opinion really want your praise, and will be contented with nothing less. 

 

For pithy quotes, I will end with this one, which is quite the fascinating observation. Ignore the casual racism, and note the point.

 

Hospitality is a good deal a matter of latitude, I suspect. The shade of a palm-tree serves an African for a hut; his dwelling is all door and no walls; everybody can come in. To make a morning call on an Esquimaux acquaintance, one must creep through a long tunnel; his house is all walls and no door, except such a one as an apple with a worm-hole has. One might, very probably, trace a regular gradation between these two extremes. In cities where the evenings are generally hot, the people have porches at their doors, where they sit, and this is, of course, a provocative to the interchange of civilities. A good deal, which in colder regions is ascribed to mean dispositions, belongs really to mean temperature. 

 

Indeed. One can, of course, expand the idea to that of clothing, and note that the cultural chauvinism of northern Europeans continues today, insisting that more coverage is more “civilized” or even “godly.” 

 

I would be remiss without featuring a few poems. There are many I left out, including some witty parodies. But these three are my favorites.

 

Sun and Shadow

 

As I look from the isle, o'er its billows of green,

         To the billows of foam-crested blue,

         Yon bark, that afar in the distance is seen,

         Half dreaming, my eyes will pursue:

         Now dark in the shadow, she scatters the spray

         As the chaff in the stroke of the flail;

         Now white as the sea-gull, she flies on her way,

         The sun gleaming bright on her sail.

 

         Yet her pilot is thinking of dangers to shun,—

         Of breakers that whiten and roar;

         How little he cares, if in shadow or sun

         They see him who gaze from the shore!

         He looks to the beacon that looms from the reef,

         To the rock that is under his lee,

         As he drifts on the blast, like a wind-wafted leaf,

         O'er the gulfs of the desolate sea.

 

         Thus drifting afar to the dim-vaulted caves

         Where life and its ventures are laid,

         The dreamers who gaze while we battle the waves

         May see us in sunshine or shade;

         Yet true to our course, though the shadows grow dark,

         We'll trim our broad sail as before,

         And stand by the rudder that governs the bark,

         Nor ask how we look from the shore!

 

Holmes lived in an era of incredible scientific change, and also of demographic and cultural change. I admire that he seems to have adapted to that change better than most men then and now. This poem captures the combination of hope and anxiety at what lay ahead. 

 

The Chambered Nautilus

 

This is the ship of pearl, which, poets feign,

Sails the unshadowed main,—

The venturous bark that flings

On the sweet summer wind its purpled wings

In gulfs enchanted, where the Siren sings,

And coral reefs lie bare,

Where the cold sea-maids rise to sun their streaming hair.

 

Its webs of living gauze no more unfurl;

Wrecked is the ship of pearl!

And every chambered cell,

Where its dim dreaming life was wont to dwell,

As the frail tenant shaped his growing shell,

Before thee lies revealed,—

Its irised ceiling rent, its sunless crypt unsealed!

 

Year after year beheld the silent toil

That spread his lustrous coil;

Still, as the spiral grew,

He left the past year’s dwelling for the new,

Stole with soft step its shining archway through,

Built up its idle door,

Stretched in his last-found home, and knew the old no more.

 

Thanks for the heavenly message brought by thee,

Child of the wandering sea,

Cast from her lap, forlorn!

From thy dead lips a clearer note is born

Than ever Triton blew from wreathèd horn!

While on mine ear it rings,

Through the deep caves of thought I hear a voice that sings:—

 

Build thee more stately mansions, O my soul,

As the swift seasons roll!

Leave thy low-vaulted past!

Let each new temple, nobler than the last,

Shut thee from heaven with a dome more vast,

Till thou at length art free,

Leaving thine outgrown shell by life’s unresting sea!

 

I love this one for so many reasons. Nautiluses are really cool creatures. They do indeed build themselves a new chamber as they outgrow each old one, until there is a spiral of old apartments. For Holmes, this is how we are to live our lives and cultivate our souls. Rather than trying to stay stuffed in the same box we started, we should build new ways of thinking and being as we grow and change. 

 

Finally, this hilarious poem that so few seem to know about these days. On the surface, it is a humorous story - and I have used it to describe how a certain appliance we had once fell to pieces all at once in multiple areas. 

 

But it also is a metaphor. Some have said it represents a satire of New England rationality - an overemphasis on logic and objectivity. 

 

Others, however, see in it a takedown of Calvinism. And, indeed, an entire way of doing theology. By trying to make every part strong, a theological superstructure often goes to pieces all at once. This was true to a significant degree of my own deconstruction. Whether it was merely a characteristic of theological superstructures in general, or the result of a perfect storm of events that shook me to my core: my parents’ rejection of my wife, the rise of Trump, a child coming out. 

 

However you wish to see it, enjoy.

 

The Deacon's Masterpiece Or, The Wonderful One Hoss Shay

 

Have you heard of the wonderful one-hoss shay,  

  That was built in such a logical way

  It ran a hundred years to a day,

  And then, of a sudden, it — ah, but stay,

  I'll tell you what happened without delay,

  Scaring the parson into fits,

  Frightening people out of their wits, —

  Have you ever heard of that, I say?

  Seventeen hundred and fifty-five.

 Georgius Secundus was then alive, —

 

 Snuffy old drone from the German hive.

 That was the year when Lisbon-town

 Saw the earth open and gulp her down,

 And Braddock's army was done so brown,

 Left without a scalp to its crown.

 It was on the terrible Earthquake-day

 That the Deacon finished the one-hoss shay.

 

 Now in building of chaises, I tell you what,

 There is always somewhere a weakest spot, —

 In hub, tire, felloe, in spring or thill,

 In panel, or crossbar, or floor, or sill,

 In screw, bolt, thoroughbrace, — lurking still,

 Find it somewhere you must and will, —

 Above or below, or within or without, —

 And that's the reason, beyond a doubt,

 A chaise breaks down, but does n't wear out.

 

 But the Deacon swore (as Deacons do,

 With an "I dew vum," or an "I tell yeou")

 He would build one shay to beat the taown

 'N' the keounty 'n' all the kentry raoun';

 It should be so built that it could n' break daown:

 "Fur," said the Deacon, "'t 's mighty plain

 Thut the weakes' place mus' stan' the strain;

 'N' the way t' fix it, uz I maintain,

   Is only jest

 T' make that place uz strong uz the rest."

 

 So the Deacon inquired of the village folk

 Where he could find the strongest oak,

 That could n't be split nor bent nor broke, —

 That was for spokes and floor and sills;

 He sent for lancewood to make the thills;

 The crossbars were ash, from the straightest trees,

 The panels of white-wood, that cuts like cheese,

 But lasts like iron for things like these;

 The hubs of logs from the "Settler's ellum," —

 Last of its timber, — they could n't sell 'em,

 Never an axe had seen their chips,

 And the wedges flew from between their lips,

 Their blunt ends frizzled like celery-tips;

 Step and prop-iron, bolt and screw,

 Spring, tire, axle, and linchpin too,

 Steel of the finest, bright and blue;

 Thoroughbrace bison-skin, thick and wide;

 Boot, top, dasher, from tough old hide

 Found in the pit when the tanner died.

 That was the way he "put her through."

 "There!" said the Deacon, "naow she'll dew!"

 

 Do! I tell you, I rather guess

 She was a wonder, and nothing less!

 Colts grew horses, beards turned gray,

 Deacon and deaconess dropped away,

 Children and grandchildren — where were they?

 But there stood the stout old one-hoss shay

 As fresh as on Lisbon-earthquake-day!

 

 EIGHTEEN HUNDRED; — it came and found

 The Deacon's masterpiece strong and sound.

 Eighteen hundred increased by ten; —

 "Hahnsum kerridge" they called it then.

 Eighteen hundred and twenty came; —

 Running as usual; much the same.

 Thirty and forty at last arrive,

 And then come fifty, and FIFTY-FIVE.

 

 Little of all we value here

 Wakes on the morn of its hundreth year

 Without both feeling and looking queer.

 In fact, there's nothing that keeps its youth,

 So far as I know, but a tree and truth.

 (This is a moral that runs at large;

 Take it. — You're welcome. — No extra charge.)

 

 FIRST OF NOVEMBER, — the Earthquake-day, —

 There are traces of age in the one-hoss shay,

 A general flavor of mild decay,

 But nothing local, as one may say.

 There could n't be, — for the Deacon's art

 Had made it so like in every part

 That there was n't a chance for one to start.

 For the wheels were just as strong as the thills,

 And the floor was just as strong as the sills,

 And the panels just as strong as the floor,

 And the whipple-tree neither less nor more,

 And the back crossbar as strong as the fore,

 And spring and axle and hub encore.

 And yet, as a whole, it is past a doubt

 In another hour it will be worn out!

 

 First of November, 'Fifty-five!

 This morning the parson takes a drive.

 Now, small boys, get out of the way!

 Here comes the wonderful one-horse shay,

 Drawn by a rat-tailed, ewe-necked bay.

 "Huddup!" said the parson. — Off went they.

 The parson was working his Sunday's text, —

 Had got to fifthly, and stopped perplexed

 At what the — Moses — was coming next.

 All at once the horse stood still,

 Close by the meet'n'-house on the hill.

 First a shiver, and then a thrill,

 Then something decidedly like a spill, —

 And the parson was sitting upon a rock,

 At half past nine by the meet'n-house clock, —

 Just the hour of the Earthquake shock!

 What do you think the parson found,

 When he got up and stared around?

 The poor old chaise in a heap or mound,

 As if it had been to the mill and ground!

 You see, of course, if you're not a dunce,

 How it went to pieces all at once, —

 All at once, and nothing first, —

 Just as bubbles do when they burst.

 

 End of the wonderful one-hoss shay.

 Logic is logic. That's all I say.