Wednesday, September 3, 2025

The Last Mapmaker by Christina Soontornvat

Source of book: Audiobook from the library

 

I decided at the last minute to find an audiobook for our long weekend camping trip, and happened to notice this one in the “available now” list. Throughout my kids’ childhoods, I have tried to go through some of the more modern Newbery award and honor books - books I would not have read as a child because, well, they technically weren’t written. And also some of the older Newbery’s that I loved as a kid. 

 

The Last Mapmaker was named a 2023 Newbery Honor book. It is sometimes listed as YA, but I think it is really more of a children’s book. 

 

In any case, I thought it was good, and can recommend it. 


 

The book is fantasy, but with perhaps a bit of grounding in our own world. It takes place somewhere not entirely unlike Earth, during the equivalent of our Age of Exploration. (European exploration, to be accurate….) There is a great colonial power, modeled loosely on Thailand, (the author is Thai-American), that has just conquered a bunch of third-world places, and is now setting out to find a “lost” continent located somewhere in a mysterious sea near the south pole. And also, “here be dragons,” like the old maps. 

 

The world that the author builds is interesting. In a huge contrast to our own, in the book’s world, gender equality is a given. Not only is the country a Queendom, top generals and soldiers are female, ship captains are as likely to be female as male, and one’s gender indeed seems to play no role in one’s social opportunities. 

 

Instead, what matters is class. Social status is rigid, with opportunities for education and careers reserved for those with ancestry. Sure, if you get enough money, you might buy a degree, but where would you get it? 

 

Social status is signaled in the usual ways - language, literacy, social niceties, names, and so on. But also by actual signals, in the form of decorative chains issued by the government, called Lineals, with a link for each respectable ancestor. Kind of a visible sumptuary sort of idea. 

 

I just finished reading The Seven Basic Plots by Christopher Booker - stay tuned for what will be a long writeup of that very long book - and I see elements of three of the plots in this story. There is definitely the “voyage and return” and “the quest,” but also arguably a bit of “rags to riches.” 

 

So definitely expect a very traditional story form and idea. But not a traditional approach. 

 

Sai is a 12-year-old girl who has disguised her identity in order to rise in social class. Born to a lower-class con artist who resides in the fens (which means the same thing as in our world…), she has changed her name, and gotten a job working as an assistant to a master mapmaker, Paiyoon. This has allowed her to secretly save some money that she doesn’t have to turn over to her father. She’s getting tired of having to help him with his schemes, and wants a better life. 

 

She may not have social status, but she does have one thing: she is really, really good at copying things using a classic ink pen. That’s how she ended up getting the mapmaking gig. But also, the line between copying and forgery is…a bit fine. And her dad has used this skill before. 

 

Then, the opportunity of a lifetime presents itself. The queen has commissioned all those naval ships left over from the recently concluded war of conquest to go explore the southern hemisphere, where there is a rumor of an unknown continent (well, unknown to the colonizers - there are undoubtedly people already living there.) Prizes will be paid: either a Lineal of Honor or cash, as desired. 

 

Sai is asked to come along with Paiyoon, who has managed to get a place on a prestigious ship, despite his age, by pulling some strings. The problem for him? His increasing hand tremors. The medicine which keeps them under control has a limited shelf life. 

 

The perfect solution to his problem is Sai, who can imitate his style in drawing maps and in the script. 

 

First, however, she has to get away from her father. 

 

I will end there without further spoilers if I can help it. Most of the book is about the voyage, which has increasing peril and drama as it goes on. 

 

The book will explore issues of class and colonialism in a nuanced (but age appropriate) way. Sai will meet a variety of characters - Sangra, the captain of the ship; her illegitimate half-sister Rian, who may well be the equivalent of Edmund in King Lear; Bo, the young pickpocket and stowaway with a mysterious past; Grebe, the young sailor who, like Sai, is trying to rise above his background. 

 

Nobody is entirely who they seem, of course. Do not expect any “the poor are noble, the rich are corrupt,” but also do not expect its opposite. The characters are complex, and it is not clear where the truth actually lies. 

 

For Sai, as she comes of age, she has to learn to evaluate character, not mere charisma. She must also come to terms with her own lack of status, her ambition, and her own prejudices. 

 

Because this is fantasy, there are some arguably unrealistic parts to the story. Anyone who loves seafaring stories will note that the seamanship, although not badly written, is very simplistic. This is no Treasure Island, let alone Patrick O’Brian. The ending has a bit of the deux ex machina going on. 

 

But overall, an enjoyable story, with the psychology handled well. The characters are nuanced and compelling, and Sai is an interesting protagonist, with her own flaws and ethical lapses. The book does make you think about the ethical dilemmas of the Age of Exploration. As a scientist, explorer, or mapmaker, what is your responsibility for the brutal conquest, enslavement, and colonization that came after? Is it enough to say “someone else would have done it anyway”? 

 

I should also mention that this is a delightfully romance-free book. It not only passes the Bechdel Test with flying colors, there are multiple female characters whose character arcs have either nothing to do with romance, or for whom the romance was in the distant past. Both male and female characters have lives outside of sexual pairing. In the case of books with female protagonists, it is refreshing to read ones where an eventual marriage isn’t the goal. 

 

Oh, and one last thing: this book is full of swearing. But not like you think. There is a character with a really blue mouth, but since this is an alternate universe, the swears are all the usual meanings, but different words. “Tripe” features prominently, as do buzzards and their cloacas. You might have to break out a dictionary to get some of the references. I thought this was a hilarious and creative way handle the language. Because you know these characters swear, but nobody really wants a bunch of Saxon physiological monosyllables in a kids’ book, right?

 

Soontornvat is an interesting new(ish) voice in the children’s book world, and I find her perspective to be unique and helpful. I would recommend checking out this book. 

 

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