Two Autumn Poems

With such beautiful fall weather here in Bakersfield, I could not resist finding a pair of contrasting poems on the subject. First is an ode by Keats, with an unusual eleven line stanza rhymed ababcdedcce (first stanza) or  ababcdecdde (second and third stanzas). Keats' delicate, lyrical touch lightens the heavier effect of iambic pentameter and long stanzas.

Ode To Autumn by John Keats

           

Season of mists and mellow fruitfulness,

Close bosom-friend of the maturing sun;

Conspiring with him how to load and bless

With fruit the vines that round the thatch-eaves run;

To bend with apples the mossed cottage-trees,

And fill all fruit with ripeness to the core;

To swell the gourd, and plump the hazel shells

With a sweet kernel; to set budding more,

And still more, later flowers for the bees,

Until they think warm days will never cease,

For Summer has o'er-brimmed their clammy cell.

Who hath not seen thee oft amid thy store?

Sometimes whoever seeks abroad may find

Thee sitting careless on a granary floor,

Thy hair soft-lifted by the winnowing wind;

Or on a half-reaped furrow sound asleep,

Drowsed with the fume of poppies, while thy hook

Spares the next swath and all its twined flowers;

And sometimes like a gleaner thou dost keep

Steady thy laden head across a brook;

Or by a cider-press, with patient look,

Thou watchest the last oozings, hours by hours.

Where are the songs of Spring? Ay, where are they?

Think not of them, thou hast thy music too,---

While barred clouds bloom the soft-dying day,

And touch the stubble-plains with rosy hue;

Then in a wailful choir, the small gnats mourn

Among the river sallows, borne aloft

Or sinking as the light wind lives or dies;

And full-grown lambs loud bleat from hilly bourn;

Hedge-crickets sing; and now with treble soft

The redbreast whistles from a garden-croft,

And gathering swallows twitter in the skies.

Dunbar uses the ballad stanza form (four lines with alternating lines of four, then three feet)  with two variations. First, he uses the rhyme scheme abab rather than abcb. Second, he uses the feminine ending on the even numbered lines. (That is, he ends the line on an unstressed syllable.) The bouncing rhythm, optimism, and the use of dialect add to the fast pace. Perhaps Dunbar felt like my kids around a leaf pile.

Merry Autumn by Paul Laurence Dunbar

It's all a farce,—these tales they tell

About the breezes sighing,

And moans astir o'er field and dell,

Because the year is dying.

           

Such principles are most absurd,—

I care not who first taught 'em;

There's nothing known to beast or bird

To make a solemn autumn.

In solemn times, when grief holds sway

With countenance distressing,

You'll note the more of black and gray

Will then be used in dressing.

Now purple tints are all around;

The sky is blue and mellow;

And e'en the grasses turn the ground

From modest green to yellow.

The seed burs all with laughter crack

On featherweed and jimson;

And leaves that should be dressed in black

Are all decked out in crimson.

A butterfly goes winging by;

A singing bird comes after;

And Nature, all from earth to sky,

Is bubbling o'er with laughter.

The ripples wimple on the rills,

Like sparkling little lasses;

The sunlight runs along the hills,

And laughs among the grasses.

The earth is just so full of fun

It really can't contain it;

And streams of mirth so freely run

The heavens seem to rain it.

Don't talk to me of solemn days

In autumn's time of splendor,

Because the sun shows fewer rays,

And these grow slant and slender.

Why, it's the climax of the year,—

The highest time of living!—

Till naturally its bursting cheer

Just melts into thanksgiving.

Does anyone else have a favorite Autumn poem to contribute?